![]() ![]() The alt version takes the more traditional pop version of 'Another Tomorrow' into dance. It's the first single from Lusine's upcoming LP, The Waiting Room, out in February 2013. Yet for all that the happiness The Waiting Room exudes, it seems more subtle and sedate than out-and-out euphoric. Lusine's 'Another Tomorrow,' featuring the original track alongside an alternative version by the Seattle producer himself along with emixes by Jon Convex and Hanssen. Far more effective are "Panoramic" and "February"-both of which come closest to dance floor abandon. "Stratus"'s rippling bleeps are by far the album's most kinetic moment, yet as the song builds without ever really dropping, it begins to feel less like mounting tension and more like someone that doesn't know where to go, ultimately just fading out. But while McIlwain is operating within more rigid structures, another hangover from his ambient productions is that he can sometimes sound a bit directionless. Female voices are both more prevalent across the album and predominant in the mix than before, yet still work best when adding definition to the music rather than providing the main focus, whether they're hovering over the beats of "Without a Plan," rising alongside the synth line in "By This Sound," or flecked across the straight-up deep house track "Lucky."Īlthough nothing is above a pace you'd call perky, the strolling beats of "Another Tomorrow" sound confident and surefooted. He still approaches the concept of a pop song like a scientist with a scalpel, and the most orthodox song here-a cover of Electronic's classic "Get the Message"-is also the least successful, a simplistic synth-pop reworking that pales against its source. Stephen McRae Lusine Sweet Mellow Lofi Mike & Matter and Energy & Simple Lo-. 'Another Tomorrow' Lusine 2012 By Larry Fitzmaurice Genre: Electronic Label: Ghostly Reviewed: NovemSeattle-based producer Jeff McIlwain has been turning out a variety of sounds for. ![]() Yet even if The Waiting Room is his most conventional album to date, McIlwain hasn't entirely abandoned his more experimental airs. Discover videos related to another tomorrow clothing on TikTok. The Waiting Room mostly glows with warm satisfaction, free of the melancholy that coloured albums like 2007's Language Barrier. This might suggest a feeling of discontent on his part-after all, why try and invent something new if you're happy with the way things are? By contrast, his eighth Lusine album feels like a very contented record indeed. Lusines 'Another Tomorrow,' featuring the original track alongside an alternative version by the Seattle producer himself along with emixes by Jon Convex and Hanssen. Length 4:26 Released BPM 123 Key C maj Genre Electronica Label Ghostly International. Though they contained plenty of electronic bliss, many of Seattle producer Jeff McIlwain's past albums as Lusine had a certain restlessness-they always seemed determined to wriggle free of conventional structures. ![]() He just finished his new album "The Waiting Room", and is looking forward to hitting the road in 2013. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators. and Omari Hardwick), and most recently teaming up with Wingo again to co-score the 2011 film, "The Sitter" (Jonah Hill). He has been involved in the scoring of various film and commercial projects, co-scoring David Gordon Green’s 2008 film Snow Angels (with Kate Beckinsale and Sam Rockwell), scoring Kevin Bray’s 2009 film Linewatch (with Cuba Gooding Jr. Jivan Gasparyan & Sarkis Edwards & Lusine.At the edge of a dream. ![]() McIlwain has performed throughout the US and abroad, including London’s esteemed Fabric nightclub, Tokyo's Unit, Berlin's Watergate nightclub, and most recently at Melbourne’s Electric Owl. His last, critically acclaimed album, A Certain Distance, was released in 2009, and a follow-up compilation of 12” tracks and remixes, Lucky Numbers, was released soon after in 2010. McIlwain has also contributed tracks to various compilations and remix releases on Mute, !K7, Kompakt, Asthmatic Kitty, and Shitkatapult. He relocated to Seattle in late 2002 and began steadily releasing his music on Ghostly International. Originally a Texas native, McIlwain met Shad Scott while living in LA and put out his self titled debut on Scott's imprint, Isophlux. Jeff McIlwain has been producing his visceral, melodic strain of abstract electronic music as Lusine for over 10 years now. ![]()
0 Comments
Leave a Reply. |